My Journal

Sequences, Sounds, and Sandwiches: Day 4

Sequences, Sounds, and Sandwiches: Day 4

The day began with a shot of espresso, hot and black, as if to remind me that the day too would be sharp, woody, animalic. Grand Musk clung to my skin like a whisper, blueberry dancing somewhere in the shadows. A warm scent for a cold morning. Out the door, into the city, and into the question: What am I collecting today? Collage pieces for a canvas unseen, textures, sounds, and sequences spiraling into the folds of my mind.

Read More

Circles, Sillage, and the Luxury of Wandering: Day 3

Circles, Sillage, and the Luxury of Wandering: Day 3

The day began not with urgency but with indulgence. The kind of indulgence that lets you linger over a fried egg and cheese on baguette, contemplating whether breakfast might be the most poetic meal of the day. It was quiet luxury—warm yolk, crusty bread, and the promise of Paris unfolding itself, one unpredictable moment at a time. Khanjar was my companion, oud curling around me like a secret whispered into silk. Out the door and into the streets, where everything was waiting.

Read More

A Smell, A Sight, A Sculptural Trash Can: Paris, Day One

Today, I arrived in Paris. This morning? This morning was soft, like the inside of a baguette. Checked into my Le Marais sanctuary, took a nap that lasted both 15 minutes and a millennium. Then I began to roam—a flâneur with no map, just a nose and a notebook.

The air was alive with a chaos of smells: aldehydes skipping like schoolchildren, buttery clouds, milky murmurs. Paris smelt of eggshell blue. Undertones brewed in the corners—espresso whispers, chocolate shadows, the spectral exhale of cigarettes, cigars curling their fingers toward dusk. Evening dropped its sepia-toned curtain.

A Pierre Cardin storefront caught my eye—a structure of dreams I need to revisit. But first, perfume. Jovoy was an altar to olfactory gods, and I knelt. Khanjar by Oman Luxury—still as arresting as the first time in London, a scent so sharp it slices memory. From there to Dover Street Parfums Market, a pocket of whimsy where I stumbled upon Thumbsucker by Stora Skuggan. It’s Shocking by Schiaparelli reincarnated, or perhaps reanimated—a ghost wearing lipstick. I loved it. I loved it the way you love a mistake.

Serge Lutens was next, all science fiction and apothecary chic. Bottles like laboratory beacons, thin and tall, vessels of future potions. Their discovery set: a story in every vial.

Hunger set in—not a Parisian hunger but something primal. Grocery store simplicity called: baguette, cheese, cured meats. Could I wait until I got home to start eating? Could I hell. The baguette was an art form in itself, torn apart like my notebook pages.

Somewhere in this first day's haze, I wandered to the Louvre's pyramid—a shard of light in the city’s ribcage. But more captivating? The trash receptacles. Oh, the trash receptacles! Wire sculptures holding plastic bags like offerings to an urban god. One was bent, mangled, kissed by a motorbike. Its twisted form was sublime, a swoop of accidental genius. I drew it in my journal, and that, my dear readers, is my masterpiece of the day.

Trash cans as art. Perfumes as poetry. Bread as the divine. Day one in Paris was everything and nothing at once.

A Month of Creativity, Inspiration, and Croissants

A Month of Creativity, Inspiration, and Croissants

Join the Journey
I’ll be sharing this adventure in The Journal and on my socials, so you can follow along with every twist and turn. There will be riddles, hints, and plenty of surprises as I weave the story of this trip. It’s a Dadaist manifesto of sorts—chaotic, cryptic, but oh-so-enticing. Join me in the comments and share your tips: the best thrift shops, fragrances I absolutely need to smell, gallery shows I can’t miss, your favorite cafe or hidden spot. Let’s make this journey as collaborative as it is personal.

Read More