Join the Journey
I’ll be sharing this adventure in The Journal and on my socials, so you can follow along with every twist and turn. There will be riddles, hints, and plenty of surprises as I weave the story of this trip. It’s a Dadaist manifesto of sorts—chaotic, cryptic, but oh-so-enticing. Join me in the comments and share your tips: the best thrift shops, fragrances I absolutely need to smell, gallery shows I can’t miss, your favorite cafe or hidden spot. Let’s make this journey as collaborative as it is personal.
Another standout was his collaboration with Issey Miyake in the late 1980s—a dream partnership blending Miyake’s sharp pleats and bold shapes with Penn’s stark black-and-white photography. The graphic nature of these images is timeless, an artistic conversation between two visionaries. I’ve long wanted the Irving Penn x Issey Miyake book for my collection, and seeing these photographs in person only deepened my admiration for their artistry.
Read MoreThere are moments in life so vivid, so deeply woven into the fabric of who we are, that their memories feel like they have their own fragrance. For me, that moment was at the house of Aunt Mary and Uncle Bozo. It’s not just a house; it’s a world filled with layered scents—a garden in full bloom, the elegance of Aunt Mary’s perfume, and the grounding warmth of Uncle Bozo’s den. These are the inspirations behind No. 37, a fragrance I’ve created to encapsulate this treasured memory.
Read MoreAA: Let’s talk about your book, Pieces of a Boy.
This is your second book—congratulations! What’s the story behind it, and what inspired you to write it? How does navigating the creative world of writing compare to other creative outlets you explore?
SM: This book came about at a difficult personal time for me and I found that writing became my go-to creative outlet to cope during that time. The overall process of writing that memoir was extremely confronting, but cathartic, and it has shown me that writing will likely become a huge part of my life moving forward.
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Read MoreAn exploration of body, shape, and the beauty of trust.
Read MoreAA: Let’s talk about the art scene in Mexico City.
How does it compare to Brooklyn? Are there things about the scene in CDMX that excite you in ways Brooklyn didn’t, or is there something you miss about the creative energy back in New York?
TH: It’s always a mix. Nothing will ever be like New York so I’ve really tried to stop comparing New York to anywhere I go. My boyfriend founded an art fair in Mexico City called Material, he exposes me to a lot of cool artists and shows that I wouldn’t normally seek out on my own. As an artist myself and with a friend group of mostly artists from all parts of Latin and South America, I will say the cool thing about being an artist in Mexico City is the life that you can build for yourself with some moderate success. It seems like most of my friends are visual artists, designers, tattoo artists, photographers, hair stylists, musicians, drag queens, you name it…supporting yourself with your art, being able to live modestly in an apartment by yourself and not stress about going out to dinner with your friends once or twice a week really makes for a nice life.
Read MoreMy work is highly guided by these experiences I have with NYC and cities across the world, from Tokyo to Cairo, it’s like a color, a sound, or the energy in general I pick up can turn into a Painting. For example, we recently took a trip to Fifth Avenue, to view the iconic windows at Bergdorf Goodman’s and interestly enough some of the main color influences in the windows were colors I have used in recent work. I mean, it’s a coincidence, one might say, but what it signifies to me is that I am on a creative flow that is somehow connected to a signal that’s being broadcast to me, intuitively, and I find satisfaction in that. It means that I truly am absorbing my experiences on a subconscious level and turning them into Art.
Read MoreSitting on my balcony every morning with my coffee and breakfast, I’d wait for the models to arrive, ready to capture them in the studio. Those moments—quiet, creative, and full of anticipation—defined my time in London. The collages that came out of this trip are deeply personal, yet they’re a testament to the universal magic of London. They combine faces, places, and moments into a chaotic yet cohesive whole that mirrors the city itself.
Each collage, its own story within the larger narrative of my London journey. Take your time. Get lost in them, just as I got lost in London.
Read MoreFrom fun shoots to Dalmatian dots, Anthony Amadeo and Ali dive into the art of staying creative.
Read MoreFew things capture the spirit of New York City during the holidays quite like the Bergdorf Goodman Fifth Avenue windows. This year’s theme, “Toast of the Town,” is a sparkling homage to the iconic city itself, celebrating its landmarks, energy, and the glamour that makes NYC the capital of dreams.
Read MoreArt isn’t just something you see—it’s something you can feel, smell, and immerse yourself in. That’s the premise behind this new triptych project, an installation inspired by the three scents of my handcrafted incense: No. 1, No. 2, and No. 3.
Read MoreAnthony Amadeo chats with Mason Williams about surreal shoots, bold moves, and what’s next in his creative world.
Read More“Earthling” is a reflection of how abstract forms can still carry the weight of a portrait—an otherworldly tribute to the human spirit.
Read MoreWhat is Yellow? Not as a color swatch on a paint tube but as a feeling, a memory, a texture. The challenge wasn’t just to use yellow, but to see it—feel it—and translate that sensation onto the canvas.
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