The Journal

A Month of Creativity, Inspiration, and Croissants

Join the Journey
I’ll be sharing this adventure in The Journal and on my socials, so you can follow along with every twist and turn. There will be riddles, hints, and plenty of surprises as I weave the story of this trip. It’s a Dadaist manifesto of sorts—chaotic, cryptic, but oh-so-enticing. Join me in the comments and share your tips: the best thrift shops, fragrances I absolutely need to smell, gallery shows I can’t miss, your favorite cafe or hidden spot. Let’s make this journey as collaborative as it is personal.

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Irving Penn: Kinship

Another standout was his collaboration with Issey Miyake in the late 1980s—a dream partnership blending Miyake’s sharp pleats and bold shapes with Penn’s stark black-and-white photography. The graphic nature of these images is timeless, an artistic conversation between two visionaries. I’ve long wanted the Irving Penn x Issey Miyake book for my collection, and seeing these photographs in person only deepened my admiration for their artistry.

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Recollections in a Bottle: The Story of No. 37

There are moments in life so vivid, so deeply woven into the fabric of who we are, that their memories feel like they have their own fragrance. For me, that moment was at the house of Aunt Mary and Uncle Bozo. It’s not just a house; it’s a world filled with layered scents—a garden in full bloom, the elegance of Aunt Mary’s perfume, and the grounding warmth of Uncle Bozo’s den. These are the inspirations behind No. 37, a fragrance I’ve created to encapsulate this treasured memory.

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Sam Morris: Character, Movement, and Pieces of a Boy

AA: Let’s talk about your book, Pieces of a Boy.

This is your second book—congratulations! What’s the story behind it, and what inspired you to write it? How does navigating the creative world of writing compare to other creative outlets you explore?

SM: This book came about at a difficult personal time for me and I found that writing became my go-to creative outlet to cope during that time. The overall process of writing that memoir was extremely confronting, but cathartic, and it has shown me that writing will likely become a huge part of my life moving forward.

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Anthony AmadeoComment
Tommy Hart: From Brooklyn Blizzards to CDMX Beats

AA: Let’s talk about the art scene in Mexico City.

How does it compare to Brooklyn? Are there things about the scene in CDMX that excite you in ways Brooklyn didn’t, or is there something you miss about the creative energy back in New York?

TH: It’s always a mix. Nothing will ever be like New York so I’ve really tried to stop comparing New York to anywhere I go. My boyfriend founded an art fair in Mexico City called Material, he exposes me to a lot of cool artists and shows that I wouldn’t normally seek out on my own. As an artist myself and with a friend group of mostly artists from all parts of Latin and South America, I will say the cool thing about being an artist in Mexico City is the life that you can build for yourself with some moderate success. It seems like most of my friends are visual artists, designers, tattoo artists, photographers, hair stylists, musicians, drag queens, you name it…supporting yourself with your art, being able to live modestly in an apartment by yourself and not stress about going out to dinner with your friends once or twice a week really makes for a nice life.

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LoveMKM: Crystals, Canvases, and Creative Chaos

My work is highly guided by these experiences I have with NYC and cities across the world, from Tokyo to Cairo,  it’s like a color, a sound, or the energy in general I pick up can turn into a Painting.  For example, we recently took a trip to Fifth Avenue, to view the iconic windows at Bergdorf Goodman’s and interestly enough some of the main color influences in the windows were colors I have used in recent work. I mean, it’s a coincidence, one might say, but what it signifies to me is that I am on a creative flow that is somehow connected to a signal that’s being broadcast to me, intuitively, and I find satisfaction in that.  It means that I truly am absorbing my experiences on a subconscious level and turning them into Art.

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Proper Mad, Isn’t It? My London Tales of Collage and Chaos

Sitting on my balcony every morning with my coffee and breakfast, I’d wait for the models to arrive, ready to capture them in the studio. Those moments—quiet, creative, and full of anticipation—defined my time in London. The collages that came out of this trip are deeply personal, yet they’re a testament to the universal magic of London. They combine faces, places, and moments into a chaotic yet cohesive whole that mirrors the city itself.

Each collage, its own story within the larger narrative of my London journey. Take your time. Get lost in them, just as I got lost in London.

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