Editorial

Introducing George Maragkos

the first face of amadeo amadeo


There’s a presence in the room before the shutter clicks.
George Maragkos—striking, sharp, and unmistakably cinematic—moves through frame with the ease of someone who’s been here before, even if this is just the beginning.

In his debut session with amadeo amadeo, George arrived dressed in all black: pleated trousers, a leather jacket, a tailored blazer—clothing that clung to the light and carved out drama in the shadows. His Greek features carried the weight of myth, but his gestures were thoroughly modern: abstract, fluid, intentional.

We worked through reflections, distortions, and movement. At every turn, George didn’t just pose—he acted, reacted, told. A face not just for fashion, but for storytelling.

These first portraits mark the beginning of a portfolio designed to not only impress, but to mesmerize. He is the prototype of what we’re cultivating here: presence, poise, and personality.

Welcome George Maragkos, the first of many to come.

 

Petar Cvijanovic by Anthony Amadeo

Petar Cvijanovic by Anthony Amadeo

Petar Cvijanovic in a strikingly graphic display of white briefs paired with oversized denim, worn upside-down. His arms slip through the legs of the jeans, creating a visual puzzle: are they legs or arms? Is the image flipped, or are we? The ambiguity of form and function, highlighted by Petar's dynamic poses, challenges the viewer's perception at every glance.

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