This series was created with Samuel, signed to The Lions.
Photographing him was effortless—he carries a quiet strength and elegance that immediately translated into something sculptural.
When I first came across Arnold Kouassi on Instagram, I knew instantly that I had to photograph him. There was something in his presence that felt like it belonged in the Giant Denim series—his energy, his movement, his ability to create shapes with his body that felt sculptural. What I loved most, though, was that he kept on his own jewelry for the shoot. Rings, watch, chains, bracelets—personal artifacts that added texture and narrative to the images. Those small details allowed the portraits to hold both his story and mine at the same time.
Read More
There’s a presence in the room before the shutter clicks.
George Maragkos—striking, sharp, and unmistakably cinematic—moves through frame with the ease of someone who’s been here before, even if this is just the beginning.
For our third shoot together, Mason Williams returns to the frame—this time suspended in a moment that feels part sculpture, part dream. The now-iconic giant denim makes its reappearance, floating like a relic of fashion surrealism. Hung in air, clipped like a cutout, it becomes a real-life collage, part Venus de Milo, part downtown atelier. Mason’s form echoes the soft shadows of marble statues I sketched while wandering the Louvre.
Read More
Photocopies of Vincent Paladino by Anthony Amadeo
Read More
The photocopies of some of the archives of Anthony Amadeo.
Read More
Petar Cvijanovic in a strikingly graphic display of white briefs paired with oversized denim, worn upside-down. His arms slip through the legs of the jeans, creating a visual puzzle: are they legs or arms? Is the image flipped, or are we? The ambiguity of form and function, highlighted by Petar's dynamic poses, challenges the viewer's perception at every glance.
Read More
An exploration of body, shape, and the beauty of trust.
Read More