A. Clown hasn’t been seen in some time. He didn’t storm off stage, didn’t slam the door, didn’t even leave a note—he simply stepped behind the silver curtain and let the folds swallow him.
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The Summer Issue is a sun-soaked archive of memory, body, scent, and image. From portraits that bloom like plants to fragrances that bottle heat and longing, this issue is a garden grown from nostalgia and stretched into modern myth. Featuring editorial collage, recipes, soap, and spoken moments for hot days and cool shadows.
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For years, I nodded along when people would dismissively mutter, "Art is just a bunch of BS."
And for years, I genuinely thought they meant Balloon Sculptures.
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The black-and-white images recently leaked from the studio of Anthony Amadeo appear—at first glance—to be nothing more than striking portraits, poetic in their stillness, echoing the sculptural tension of classicism reimagined for a modern mythology. But to those who’ve looked deeper... something else has emerged.
Read MoreTHE AMADEO INCIDENT
Or, The Artist Who Came to Earth With a Camera and a Nose for Memory
by a former employee of the U.S. Bureau of Olfactory Surveillance
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For our third shoot together, Mason Williams returns to the frame—this time suspended in a moment that feels part sculpture, part dream. The now-iconic giant denim makes its reappearance, floating like a relic of fashion surrealism. Hung in air, clipped like a cutout, it becomes a real-life collage, part Venus de Milo, part downtown atelier. Mason’s form echoes the soft shadows of marble statues I sketched while wandering the Louvre.
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Photocopies of Vincent Paladino by Anthony Amadeo
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The photocopies of some of the archives of Anthony Amadeo.
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Grammy Rodriguez photographed by Anthony Amadeo
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Petar Cvijanovic in a strikingly graphic display of white briefs paired with oversized denim, worn upside-down. His arms slip through the legs of the jeans, creating a visual puzzle: are they legs or arms? Is the image flipped, or are we? The ambiguity of form and function, highlighted by Petar's dynamic poses, challenges the viewer's perception at every glance.
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It was here, in this milieu of artistic fervor, that I first spotted Christiano Wennman. His presence was as striking as the backdrop of the show, a canvas ripe for the artistry I envisioned. Christiano, known for his work at Scarr’s Pizza in New York’s Lower East Side, carries with him an aura of cool authenticity that resonates well beyond the confines of the kitchen. The idea of capturing his essence through my lens grew irresistible. Our collaboration in New York City birthed a series of collages that are as much a celebration of his individuality as they are of the cultural tapestry that brought us together. Through these images, infused with the energy and spirit of our surroundings, I invite you to explore a visual narrative that’s stitched from moments of inspiration, connection, and sheer artistic adventure.
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