This series was created with Samuel, signed to The Lions.
Photographing him was effortless—he carries a quiet strength and elegance that immediately translated into something sculptural.
There’s something about twins that’s always fascinated me — maybe because I am one. There’s an invisible mirror that exists between two people born at the same time, and it’s impossible to look at one without catching a glimpse of the other.
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When I first came across Arnold Kouassi on Instagram, I knew instantly that I had to photograph him. There was something in his presence that felt like it belonged in the Giant Denim series—his energy, his movement, his ability to create shapes with his body that felt sculptural. What I loved most, though, was that he kept on his own jewelry for the shoot. Rings, watch, chains, bracelets—personal artifacts that added texture and narrative to the images. Those small details allowed the portraits to hold both his story and mine at the same time.
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A. Clown hasn’t been seen in some time. He didn’t storm off stage, didn’t slam the door, didn’t even leave a note—he simply stepped behind the silver curtain and let the folds swallow him.
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A short reflection on scale, shape, and the feeling of not fitting in. A written piece from Anthony Amadeo—before the images, just the words.
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The Summer Issue is a sun-soaked archive of memory, body, scent, and image. From portraits that bloom like plants to fragrances that bottle heat and longing, this issue is a garden grown from nostalgia and stretched into modern myth. Featuring editorial collage, recipes, soap, and spoken moments for hot days and cool shadows.
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There’s a presence in the room before the shutter clicks.
George Maragkos—striking, sharp, and unmistakably cinematic—moves through frame with the ease of someone who’s been here before, even if this is just the beginning.
For years, I nodded along when people would dismissively mutter, "Art is just a bunch of BS."
And for years, I genuinely thought they meant Balloon Sculptures.
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The black-and-white images recently leaked from the studio of Anthony Amadeo appear—at first glance—to be nothing more than striking portraits, poetic in their stillness, echoing the sculptural tension of classicism reimagined for a modern mythology. But to those who’ve looked deeper... something else has emerged.
Read MoreTHE AMADEO INCIDENT
Or, The Artist Who Came to Earth With a Camera and a Nose for Memory
by a former employee of the U.S. Bureau of Olfactory Surveillance
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For our third shoot together, Mason Williams returns to the frame—this time suspended in a moment that feels part sculpture, part dream. The now-iconic giant denim makes its reappearance, floating like a relic of fashion surrealism. Hung in air, clipped like a cutout, it becomes a real-life collage, part Venus de Milo, part downtown atelier. Mason’s form echoes the soft shadows of marble statues I sketched while wandering the Louvre.
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Photocopies of Vincent Paladino by Anthony Amadeo
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The photocopies of some of the archives of Anthony Amadeo.
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Grammy Rodriguez photographed by Anthony Amadeo
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Petar Cvijanovic in a strikingly graphic display of white briefs paired with oversized denim, worn upside-down. His arms slip through the legs of the jeans, creating a visual puzzle: are they legs or arms? Is the image flipped, or are we? The ambiguity of form and function, highlighted by Petar's dynamic poses, challenges the viewer's perception at every glance.
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In the grand spectacle that is Women's AW25, the runways were ablaze with visions that fused the past with bold strides into future fashion. From the get-go, the structured tailoring of the 50s and 60s was unmissable, with collections showcasing slim hoods and the dramatic play between textures and colors. Broad shoulders tapered down to slim legs, a silhouette that both honors and reinvents classic proportions. The palettes? A symphony of jewel tones, each more captivating than the last.
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It was here, in this milieu of artistic fervor, that I first spotted Christiano Wennman. His presence was as striking as the backdrop of the show, a canvas ripe for the artistry I envisioned. Christiano, known for his work at Scarr’s Pizza in New York’s Lower East Side, carries with him an aura of cool authenticity that resonates well beyond the confines of the kitchen. The idea of capturing his essence through my lens grew irresistible. Our collaboration in New York City birthed a series of collages that are as much a celebration of his individuality as they are of the cultural tapestry that brought us together. Through these images, infused with the energy and spirit of our surroundings, I invite you to explore a visual narrative that’s stitched from moments of inspiration, connection, and sheer artistic adventure.
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AA: Jamil, it was such a pleasure photographing you during your visit to NYC!
Your profile is incredible to photograph, and you brought such a strong energy to the shoot. How was the experience for you, especially being part of the giant denim jeans series?